Kenny Klein returns to Minnesota – Interview

Kenny Klein is  an author, musician, and an elder and a High Priest in the Blue Star tradition of Wicca.  He will be appearing Aug. 2-4th at Eye of Horus, and at Sacred Harvest Festival Aug 5-11th. I spoke to him by phone from Brushwood in New York state.

You are touring now, but how long have you been a New Orleans Resident?
Kenny :   Before Katrina I would winter there every year, as a lot of musicians do in December- Feb, and then go out on tour. When Katrina hit I was in California. About four years ago I felt the call to go back, and have been there ever since. This is the first time, since 2010 that I actually have a leased apartment in New Orleans! I usually leave in May and don’t return until September. This year I toured in April and May, Came back for an appearance at the “Gryphon’s Nest” a Pagan camp ground outside of New Orleans. Fishbird played there in June, then flew up to a pagan festival outside Wasilla , Alaska, where Sarah Palin is from.  I came back to new Orleans, and then took off for New york in July and will be on tour until September.

You are into your second week at Brushwood?
Kenny : Yes, arrived a week ago today. I come to Brushwood every year as both a presenter and a performer.  Each year i offer about six workshops and a couple concerts. This year we did the kickstarter campaign in order to bring the full band, Fishbird  along to here.  This is the first year we have the full band up here. We are doing something most Pagans have never seen me do. Solo I play acoustic guitar and fiddle and sing. In this band I play electric jam dark Celtic rock .I do this down in New Orleans and now with this live recording Pagans will be able to listen to it wherever they are.

Is this what you enjoy playing?
Kenny : I love it, I have a sensational band. The bass player in the New Orleans band didn’t want to come on the trip, so at first I was bummed, but my life long friend Carl Smith, who used to play bass with “Kenny and Tzipora” back in the eighties  was able to come up from Tennessee and play.  We have our drummer and Rachel Maxann my singer from New Orleans are both up here and we doing some awesome shows here. We have complete one of our main stage shows here and will be doing another one  Thursday. There is a small cafe at Brushwood and we have an independent contract to play at their cafe every day.  People are getting a short mini concert each day, and then the two main stage concerts.

How is the recording going?
Kenny : My newest CD, which I should have at Sacred Harvest Festival, is my concert from last year here, recorded live from the stage. That gave me the confidence to bring Fishbird up here to record for a CD.  Except for the “Griffin’s Nest” a Pagan camp ground performance this spring, this is the first time ever that Fishbird has performed for a Pagan audience.

Then you are leaving the end of the week and headed to Minnesota?
Kenny : That’s right, I have three days of performance and workshops at Eye of Horus (event info at bottom), and then right after the weekend I travel down to Sacred Harvest Festival for the week Aug 5-11th.  There I’ll be offering five workshops and a concert on Friday Night.  At my last appearance ar SHF I connected with some local musicians at the festival, and hope to again.

Tell me about your new book .

Lauren Devoe, my girlfriend, and I just finished a new book for Llewellyn. It is a follow up to Fairy Tale Rituals, called Fairy Tale Magic. The previous book looked at Grimm’s fairy tales and elements that could be culled from them and used to create ritual. This book is looking at non-Grimm fairy tales .  We explore Russian tales like Baba Yaga, Briton  and English tales, like Jack in the Beanstalk and Goldilocks.  We look at the elements of magical theory that are contained in these tales. We touch on Qabala and Tora Magic .  We explore Wicca, Pagan, and Ceremonial magic and how the elements of all these different magical forms can be found in these fairy tales. Lauren, who is an academic librarian at Tulane University did a lot of the research through the university to contribute information and obscure tales that we may not have otherwise found. It will be out next spring  from Llewellyn.

Kenny Klein and Lauren Devoe

Kenny Klein and Lauren Devoe

Do you still practice Blue Star Wicca?
Yes, Iron and Cypress, is our coven in New Orleans. We just elevated to neophyte two students into our coven. This took place, here at Brushwood.  I will also be guest priesting an open Blue Star ritual hosted by Hearth Stone coven of Minneapolis on Wednesday night at Sacred Harvest Festival.

Kenny Klein at Eye of Horus:
Friday August 2nd at 7:30 – Kenny Klein, Live in Concert Tickets $17

Saturday August 3rd
2-3:30pm – Book Signing/Meet & Greet Free Event
4-5:30pm – Grimms Fairy Tales: What Your Mother Didn’t Tell You (mature content) Class $20
6-7:30pm – Lost Secrets of Wicca with Kenny Klein – Class $20

Sunday August 4th 2-5pm: Mojo and Magic in Blues & New Orleans Music – combined double-workshop – Just $30

Kenny Klein at Sacred Harvest Festival Aug. 5-11th  – Workshop Schedule

Nels Linde is a Council Member of Harmony Tribe which sponsors Sacred Harvest Festival, and an initiate of the Blue Star Tradition.

Roger Williamson Solo Exhibition Opening Sat. August 3rd

Paintings by Roger Williamson

Roger Williamson, Pagan artist and  founder of Magus books has a show of recent works  opening  Saturday August 3rd, 2013 7-10pm at the Stevens Square Center for the Arts, and running through August 25th, 2013.

In the exhibition, Williamson presents a series of artworks that trace a specific understanding the artist has of Chimera.  Williamson refers to Chimera as a quality of the mythological sphinx, that is mystery rather than Chimera’s usually accepted quality as an illusionary entity or fabrication of the mind; especially as an unrealizable dream.

Mystery is energy, a fitting title of the sphinx and while she retains her mystery she maintains her power.

Only when she gives up her secrets does she lose her power and die.

It is this theme of mystery which permeates the works on display and the viewer is led through a labyrinth of images that challenge one to quest through the door that leads to our inner selves where the answers to all our questions reside.

Williamson’s installation is composed of oil paintings on both wood panels and canvas.

OPENING:  Saturday August 3rd, from 7-10 p.m., for the exhibition opening and to meet the artist.


Roger Williamson is a Minneapolis-based artist who has exhibited his paintings in local galleries.

He is also the author of several books which include The Sun at Night and the Lucifer Diaries and is the

creator of Tarot of the Morning Star tarot deck. Some images from the deck will be included in the exhibit.

Comets Ov Cupid is a space rock project by Jason Kesselring, formerly of Skye Klad and Satyrswitch.

Darkly cosmic the music evokes a sense of eternal twilight creating sonic landscapes of distorted voices,

cosmic pulse and hazy drones. Guitar based in composition the sounds range from full-blown metalgazer

walls of sound to ethereal astral folk.

Stevens Square Center for the Arts (SSCA)

1905 Third Avenue S., Minneapolis, MN 55404

T (612) 879-0200 ssca@stevensarts.org

Gallery Hours— Friday thru Sunday, 1:00 – 5:00 PM (During Exhibitions).

The Makings of a Priestess – Editorial

Rainbow and Janet Farrar

Rainbow and Janet Farrar

I was able to connect back up with Janet Farrar and Gavin Bone after twenty years or so at Heartland Spirit Gathering  last week. I am transcribing over two hours of recorded interviews into something manageable for publishing next week.  Our interview was interrupted by  a personal ceremonial commitment, and so I left them on their own to relax in our merchant booth.

A young lady of eleven, Rainbow, had been working all day for various merchants, doing service and selling what she found to raise money for a small drum for herself.  She started earning by helping me deliver ice as a community service task that morning. She came to the booth frequently to report her fund-raising progress and so returned with a report in my absence that she gave to Janet Farrar.  Just a few dollars short now, Janet took her by the hand and went visiting merchants and shoppers, explaining her young friends plight. Within a few minutes the balance needed for the purchase was secured, and when I returned the drum was purchased, and Rainbow ran off overjoyed. The interview then resumed.

The next day I tracked down Rainbow’s parents for permission for a photo, and I learned more about Rainbow than I knew from the experience the day before. She had announced to her family she was going to get a drum that day, and they had every confidence somehow she would make it happen.  We rounded up Rainbow and took her over to Janet for this photo.  She only knew Janet as that nice lady who helped her, and was delighted to discover she was also a guest of the event.

The interviews next week will include a lot of Pagan history, assessment of the present, and a view of the future. Janet and Gavin have strong views of what it means to be a priest or priestess, to speak with the gods, and where the leaders of the Craft of the future will come from. This selfless aid to help fulfill a young women’s goal illustrated to me a beautiful example of the daily work of a priestess, and the simple experiences that empower a determined priestess of the future.

Watch for the interview series with Janet Farrar and Gavin Bone next week.

Nels Linde

Marriage Equality, Love is the Law – Interview

Marriage Equality has become the law in Minnesota, effective Aug 1st, 2013!  The Pagan community has long been inclusive of the couples and members of the LGBT communities. This law has an immediate effect regarding how many couples can lead their daily lives.  They can plan a legal commitment and create all the documentation for health care, end of life care, inheritance, and all the other financial benefits married couple have enjoyed.  They may feel empowered to disclose their minority faith as Pagans.

The day of statements from senators prior to their vote Monday indicates discrimination is still very much alive, and active in Minnesota. While many Senators offered vigorous support, a few indicated, as politely as they could, that their religious connection to the word and concept of marriage prevented them from supporting the law. This law however paves the way for an increase of awareness, and ultimately compassion and tolerance within our society for same sex couples, and for a broader range of spirituality that  historically already embraced same sex unions.

The I-35 bridge lit up to celebrate the passage of marriage equality legislation in Minnesota ( photo: City of Minneapolis/Facebook)

I asked a Pagan, Jay Linnell,  who has been a marriage equality activist within our community and at state government how he felt about the new law. It clearly is a powerful victory for Pagans:

Two years ago, I stood outside the doors of our state House of Representatives in a vigil of hope. Our legislators had gathered to proclaim the uniformity of Minnesota’s religious and social character and to put forth a Constitutional Amendment preventing any legal acceptance of family contracts beyond one man, and one woman. This was not new, as 30 states had done this before us; but I was hurt and saddened that my state, my community, might make such a statement to me as a bisexual man and as clergy.I am married to a woman I love quite dearly. While our marriage has had its moments of pain and sorrow, even at those moments I look back on the day we were married, when our priest and priestess looked us in the eyes and shared with us a commitment before the gods to honor our love and build a life upon trust, care, and hope shared as partners. Nothing in my life can parallel the joy of that moment – our religious community, our families, and the representatives of our state looked upon us and celebrated our choice to begin a walk as family.

Jay Linnell as the Minnesota House began debate last week.

Jay Linnell as the Minnesota House began debate last week.

Representatives of the state? Yes. That would be the priest who signed our wedding license. Any reader who, like me, holds a license as clergy, is specifically licensed by the state to endorse and license marriages. We attest to the validity and to our surety that each couple is properly prepared to support one another as partners in life. We are given license to look upon any couple and make the essential statement of who is or is not family.

For too long, that license has had an asterisk, reading “so long as the state has properly inspected their genitals (at birth or reassignment) and deemed them a match”. As a priest, that asterisk has been painful, it has told me my license is no honor to my service as a priest, but a badge to be a servant of a legislator’s faith.

That has been a struggle for me. When Dawn and I were married, she and my mom had to do some work to convince me to accept legal marriage. I looked at our list of invitees, and saw so many (including the priest mentioned above) whose marriages I never dreamed would be recognized in my lifetime. How could I accept that dignity if they could not? How could I as a pagan accept endorsement of a contract I knew was not available to those who would gather to celebrate my love?

It felt like theft. But mom and Dawn made quite clear what the joy of marriage meant to them and especially to my intended bride. To set up contracts and create an “almost-marriage” would not only be complicated, but would be indignity, it would tell her she was something less, that our family wasn’t real to me.

That spiritually and magically, my heart wasn’t really in it.

Of course, I happily married her, and gave her my heart in as full and true a ritual as I could, complete with the legal endorsement on behalf of our clergy. And I steeled myself that when the opportunity came, when the iron was hot, I would act to make that same moment a reality for those I love.

As a witch, love is essential to my faith. In my faith I work to build intimate relationships with fellow clergy, with my coven mates and tradition members, with the gods I worship, with the elemental spirits who make up this world. Every one of those relationships requires self-evaluation, an understanding of what I give those I love, what self I offer and how that serves their needs and fosters a world build on the sort of love I hope to share.

As relationships need attention to continue to grow, I take time to walk with particular spirits, and in the year this amendment was pending, was my year with fire. Naturally, in the light of this amendment, I was drawn to focus on fire as that nurturing and nourishing spirit of love, the heart of the gods, the lust of Pan and the solace of Hera, the spirit which drives our connection as lovers, mates and partners throughout out lives. And in service to that spirit, I put aside a night a week to make phone calls, to knock on doors, to talk to individual Minnesotans about what love means to us, about what marriage means to us… and about our many friends, sisters, teachers, grandfathers, students, and more, singled out by this amendment as unfit for the joy and dignity framed by that word.

Minnesota heard that conversation. They embraced the emotional spirit of nurturing and dignity that I see as the spirit of fire, the heart of the goddess. While Minnesota did not act in the goddess’s name (It’d be hubris and plain ignorance to assume they all share my faith), they recognized the values I draw from my faith are values they share.

And they honored my freedom of conscience, my freedom of faith. As a worshiper and as a priest, I have been told by Minnesota that the beliefs of my community will not be Constitutionally banned. That’s a beautiful thing to hear, and was a great first step. And Minnesotans joyfully continued that conversation – they told their legislators what marriage means, whom in their life it would affect for the better, and our laws were re-framed so that every couple would be treated with dignity. So that every priestess and priest in our community would be given the freedom of conscience to endorse the couples who present themselves to us honestly as committed families.

One week ago I stood before the doors of our House of Representatives and sang with joy as they voted to recognize our dignity as clergy and as families. I am overjoyed. Minnesota has been engulfed in that nourishing fire, has embraced what I see as the patient love of the goddess in each of our hearts, and has declared, in harmony with words which inspire our traditional roots: “Love is the Law!” And yes, my friends, that is love under will. Thank you all for the will you have committed to seeing this through. I know I was not alone in my prayers, magic, and commitment of time and attention. And I am grateful that Minnesota’s work has settled on joy, and dignity, and that our religious choices as followers of a minority faith, will in one way be shown greater respect in the state I lovingly call home.

Jay Linnell (Charles Wallace Murry) is a member of Spiral Tor Coven of Blue Star, and Membership Officer of COG Northern Dawn in Minneapolis.

Orion Foxwood at Paganicon – Interview

orion1

Orion Foxwood

Paganicon opens this Friday and one of the featured guests is Orion Foxwood. Orion Foxwood is the author of “The Faery Teachings”, “The Tree of Enchantment” and “The Candle and the Crossroads”; and the founder of the House of Brigh Faery Seership Institute and co-founder of Conjure Crossroads and 2hoodoos.com. He will be giving the keynote address at 7pm on the topic, “Paganism as a Co-Creative Call-to-Action”.  I talked to him by phone.

Tell me a little about your personal journey?

 Orion Foxwood:  I am from Virginia, but live in Maryland right now, just outside of Washington, DC. I was born down in the Shenandoah Valley outside Winchester, Virginia. My early experience in magic was in Southern Folk Magic, conjure, although they don’t use that term much down there. My mother, myself, and my sister were all born with “the veil”, the covering of the face with the placental sheath. In southern Appalachian and many other cultures that denotes the second sight, the ability to see into the spirit world. Between the cultural practices and that veil, it solidified my journey in this kind of work.

What did they call it in that region?

 O.F. :  They called it “spirit doctoring”, and people who did this kind of work are spirit doctors. Now and again you would hear the word conjure, that word is used a little more in the Carolinas, Georgia, and Texas. Another term used is “root work”, or “Hoodoo”  , but that is associated more along the Mississippi valley.

 Were you involved in witchcraft?

O.F. :  When you grow up in a folk magical practice, you don’t necessarily see it as something special. I left from that period looking for more, and discovered witchcraft in my teens. I started corresponding with witches in the DC metro area. That is really what prompted my move to this area, and to learn the craft. I was initiated into a Welsh tradition and later a Celtic and then an Alexandrian Wiccan tradition. On the advice of my elders I eventually came back to the roots of my own cultural practices and integrated them into my practice.

I have three major streams I work with. There is my Pagan witchcraft, Faery Seership, and Southern conjure. The Faery Seership grew along a parallel path with my craft work. I was influenced in a major way by R.J. Stewart in my Faery work, and through his work attained a contact in the spirit world named Brigh.  Brigh and I have continued to develop that work over the years. I teach much of that, it is more of an integrated, co-created practice working with the more invisible side of nature. All three streams of practices really come together with their own unique insights. They all have a way of speaking as to how my soul has grown; spiritually, magically, and mystically. They all support my work in the world, and within myself. They give me a broader set of language to often say the same things. It makes it easier to reach many kinds of “ears”, including people with different types of spirit work.

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