Oberon Zell-Ravenheart at Paganicon – Interview

Oberon Zell Ravenheart

Oberon Zell-Ravenheart

I talked by phone with Oberon Zell-Ravenheart about his upcoming appearance at Paganicon, and his new book  about to be released.

Paganicon
Where: Doubletree Park Place in St. Louis Park, MN
When: March 14-16, 2014
NOTE: Deadline for programming submissions is January 31st!

Oberon Zell-Ravenheart is a multi-talented and active force of nature, pursuing many interests at any one time. I inquired about the health of  lifemate Morning Glory who has been undergoing treatment for cancer for some time. Oberon splits most days to spend time with her in this current hospitalization, and a funding site has been established for donations for her ongoing care. Don’t be fooled by the funding goal displayed, the need is real and ongoing!

Are you excited to come to Minnesota?
Yes, I have not been to Minneapolis for a long time. My father used to live up there and I visited him frequently before he died a few years ago. But my major connection to the area is the old Llewellyn Gnosticons  back in the early 70’s, which is where I met Morning Glory. We met at the fourth Gnosticon festival in 1973 at the fall equinox, and were handfasted there on April 14, 1974. We’re coming up on our 40th wedding anniversary! We have just completed and published our life story, and that period is an important part of it.  Llewellyn is publishing it and Carl Weschcke wrote the introduction to the book, so it is all coming around full circle. The book will be released in early February.

Tell me about your keynote address at Paganicon.

Deborah Lipp

Deborah Lipp

I am sharing the keynote with guest Deborah Lipp, and we are offering a talk on the legacy of the whole Neo-Pagan movement. The two of us will be bouncing back and forth about the emergence of the Neo-Pagan movement and what it has contributed that will be of lasting significance in the world. I think it is quite a lot. We will also talk about where we go from here as Paganism becomes more recognized as a mainstream religion. One of the puzzles we have all experienced is why don’t people don’t seem to know about us, because they ought to!

There have been more books published by and about the Pagan movement that just about any other religion you could find. Vast numbers of people are involved, interviews, television shows are aired about us. People seem to have a much greater awareness about a few truly obscure and off the wall spiritual groups than us.

You have always had a very public face as a Pagan, how has that experience been for you?
I always get a good reception. I have done lots of interviews and never had a bad one. I have done many public appearances, speaking, book signings, and festivals, and they have all been positively received. I can afford to be out there in the public in a way that many people can’t. I don’t have to worry about losing my job, or losing my kids in a child custody suit, or many of the things that have caused some of our people to feel the need to stay “in the broom closet.” Because of my freedom to move in the wider world without repercussions, I feel a responsibility to do so, because of all the people who cannot afford to.

What will you be offering at Paganicon?
The theme of the conference is about Embracing the Elements, and now that we have just stepped over the threshold of the age of Aquarius, there is interest in knowing what all this will mean. I want to talk about this, as Aquarius is an Air sign, signifying communication, wisdom, and travel through the air and sky. The internet and how that will continue evolving in the years to come, and space travel and colonization, these are totally Aquarian types of issues. Then there is the spiritual, and Aquarius also involves the mind and consciousness. The “New Age” is very Aquarian in its entire vision. This is truly a time of global awakening, of our planetary being, of Gaea herself. Her awakening to full consciousness and the implications of that for us. I have been thinking about these things for decades and I think it will make a great subject to talk about. We are here!

Where do you put most your effort now?
With each of the projects I have worked on I have tried to create what I want to see. If it is not out there, then I feel I have a mission to create it. I started off back in college with finding two major things lacking. I wanted to create a new religion because I was into religion but was not satisfied with what was out there and available. I took that as an assignment, and created the Church of All Worlds  in 1962.
Ultimately I had a lot to do with the creation of the whole modern Pagan movement. I feel good about that, I don’t feel the need to keep at that, it is sustaining and I just keep my finger in the pie with my ideas. The most recent involvement has been a campaign to get journalists and press style books to capitalize the name of our religions. Everything from Islam, Buddhism, Hinduism, to Christianity in all its forms are capitalized. Why not Paganism? There is no other religion that I can think of that is ordinarily and routinely not capitalized by journalists. It is really annoying and frustrating. We have been hammering at this trend for decades. It is insulting and demeaning .Lately I pulled together an international coalition of scholars in Pagan studies and we submitted a petition to the AP and Chicago Stylebooks to capitalize the name of our religion. Your readers may view and sign the petition .
But the other thing I have always felt a need for was an entirely new approach to education—what I call “esoteric education.” That is, once upon a time getting an education was universally regarded as a very special privilege. But this view has been severely diluted by our laudable goal of universal education. But I was always inspired by more visionary models, such as Montessori, Waldorf schools, Summerhill, Walden Two—and perhaps most of all, “Professor Xavier’s School for Gifted Youngsters” in “The X-Men.”
For decades I have written and lectured about the need I perceived in our Pagan community to create schools of magick and Wizardry that would be open to youths as well as adults. With the incredible popularity of the Harry Potter novels and movies, centering around a fictional school of “Witchcraft and Wizardry,” I felt that the time had finally come for me to actualize my long-standing vision, and create such a school in the real world. And so it is, with my Grey School of Wizardry , which is ten years old this year!

Have we not attained a capital P in Pagan by not having a commonly accepted definition?
That idea frustrates me, because we do have a commonly accepted definition, and we have had it for decades. I don’t understand why there are people who resist that. Some people just seem to be contrary-wise and don’t want to get with the program. This is not something that we haven’t done or talked about. We have had whole conferences of Pagan leaders, like the Pagan Leaders Summit in 2001, that I attended over ten years ago that addressed this question. These things have been settled and used worldwide for decades now. I don’t understand why new people coming into the Pagan movement can say we don’t really know who we are.

Yes we do; we have known for decades! It is who we are and have been very clear about our definitions. Simply put, Paganism is Nature Worship. That is pretty fundamental. On a broader scale it is the “Old Religion” the original religion of ancient peoples everywhere, indigenous traditions that existed before being taken over by prophet-based religions. It is about the Earth, the seasons, natural cycles and the ways of Nature; that is the core of it. I particularly like the definition of Paganism I overheard in the ‘90’s as “Green Religion.”

Are you actively involved in the School of Wizardry?
These days most of my activity with the School isn’t so much on the internal level. That is all being handled really well. We have a phenomenal faculty and staff, a couple dozen people, who are doing a great job with all that. What I do is just keeping the oversight of the long term vision. I tend to handle the outside public relations, and speaking about it. I try to bring the school to a wider public consciousness and help in shaping the whole thing. Writing the textbooks, trying to encapsulate the obsessive learning I have done all my life, consumes much of my time. To get that together coherently in a literary format so people can have it, and so it will remain, is important to me.

Oberon and Morning Glory with unicorn

Are you excited about your new book coming out?
I look forward a great deal to seeing how people react to it. The initial manuscript was twice as long as the edited book! A great deal had to be trimmed. What we have now should be tight and fun, and move right along and hopefully people will find it enjoyable. That is really what is comes down to when producing a book. There are two aspects. Most writers think of what they want to give to people. People who are buying the books are looking at what they are receiving. If they don’t like the book it doesn’t matter how well the author has articulated his or her thoughts, it falls flat. If people think it is a great story, and they like it a lot, well cool! If not, then, oh well. You drop a pebble in the pond and watch the ripples spread…

What was your experience of the Midwest?
I grew up out there, what I consider to be “Pleasantville”. I was in high school in the 50’s, the world of Archie and Jughead, Happy Days, Father Knows Best, all that was created after World War II to offer to returning GI’s. To emerge out of that into the sixties was a major cultural revolution. Every sixty years, like clockwork , there has been a major cultural renaissance, the last one being in the 1960’s.  Out of that came the Pagan movement, the women’s movement, the civil rights movement, the anti -war movement, and the sexual revolution; it was huge.
The next one of these will be in the 2020’s. I am excited to look forward to that. Each time the people who came of age in one revolutionary era then become the elders, teachers, and wise ones for the young people in the next generation. We have this cycle in our mythology, of wizards and young heroes. Wizards are the mentors for the heroes as they leave on their adventures. Connecting all this from the myths into the reality, the history of past, present, and future is a large part of what I am thinking about and working with these days.
This is the ultimate conspiracy of Pagans. By the time you know enough to know what we are really all about, it too late, you are already one of us.

Nels Linde

Teo Bishop appearance at Sacred Harvest Festival – Interview

Teo Bishop

Teo Bishop

Teo Bishop is pretty unique in the Pagan world. If you know of him, you probably know more about his spiritual ponderings and quest, than about who he is!  He is a  blogger,  bard, and  contemplative Pagan, the  author of Bishop In The Grove, a  regular contributor to  HuffPost Religion, and Columnist at The Wild Hunt. He is also one excellent musician and song writer.

Read a bit of Teo’s  history here

I talked by phone to Teo Bishop in Los Angeles about his upcoming appearance beginning next Monday at Sacred Harvest Festival, Aug 5-11th.

Have you ever been to Minnesota before?
Teo; I have been to the Twin Cities once before on a promotional tour. I think the theater was in St. Paul. This is the first time I’ve been during the “warm” part of the year!

And you are out in Los  Angeles now?
Teo; Yes. Most of the time when not at home in Colorado I am doing some kind of work in the music industry. Music is my primary work. Mainly I write songs for artists. You could think of it as applying my bardic skills in the pop music world.

In addition to songwriting, do you plan on resuming a musical performance career?
Teo; I’m not really focused on performance right now. I spent the majority of time between 2008 and 2011 working to cultivate a career as a performer and recording artist. My focus right now is on songwriting, and more behind the scenes work.

From Letterman appearance as Matt Morris

It is an exciting time, though, because the last few weeks have been exceptionally creative. In the past eight days I have written eight new songs. It’s a vibrant time, and I’m excited to take that creativity and bring it to Sacred Harvest Festival!

You recently announce leaving the Ár nDraíocht Féin: A Druid Fellowship (ADF).  Was that difficult? Are you still a Druid?

Teo; I still very much feel like I am on a Druidic path. I don’t think you can ever truly disassociate yourself from traditions you have been a part of, and ADF has been very influential on me. So leaving ADF was a difficult decision to make, yes. But I decided to leave because it just felt, in all of my parts, like the right thing for me to do at this point in my own spiritual evolution.

My leaving made a splash only because I am fairly public with aspects of my spirituality and my process. I’ve also been in a role of leadership within ADF, and I feel very happy about how things have been progressing in my absence, particularly with the Solitary Druid Fellowship.

I think it’s important to understand that this is not some big dramatic event, but that my own process has led me to leave. I’m not on a crusade against ADF. There are many wonderful people in ADF who have genuinely been kind to me — both before and after this decision.

Are you headed down a different path now?
Teo:   I’m not sure exactly what path I’m on at the moment. I feel like my “ordinary”, non-religious life has a great number of spiritual teachings to offer me. I am still tremendously influenced by the teachings of ADF Druidry, in the same way that before that, before being a Pagan, I was influenced by Episcopalian Christianity. It is all part of a continuum for me. The creative work I am doing — the work that happens apart from any one spiritual path or tradition — feels like the best thing to focus on at this point.

Teo Bishop

Teo Bishop

This is your first appearance as a guest at a Pagan event, what are you looking forward to?
Teo:  I’m looking forward to meeting so many people that I’ve only engaged with online. I think it’s important for internet-entered Pagans to get out there, in the dirt, and get to know each other. I’m looking forward to that. I’m also looking forward to offering up my experiences and insights into the creative process to the community. I’d like to find ways to conceive of our creativity and our spirituality as synonymous aspects of our lives.

You are offering both a kids workshop and a ritual, is this new for you?
Teo: Actually, I have done some work with kids outside of a festival context. My mom is a teacher and I have worked with kids to help them develop their creativity and use their own creative voice. This is comfortable territory for me, and I think the young people at the festival will have a lot to offer.

I’m also excited about leading ritual. I’ll be incorporating some aspects of ADF Druidry, as well as seeking to use movement and voice as a catalyst within the ritual to enliven us and revitalize our own sense of creativity. We’ll make a good noise!!

I think the festival will be a really great time. Everyone involved has been extremely kind, generous and hospitable with me, and I’m looking forward to giving the “Tribe” a big old hug when I get out there!

Teo Bishop  is a featured National Guest at Sacred Harvest Festival   located at Harmony Park in  S. Minnesota near Albert Lea , Aug. 5-11th.  Teo is offering several workshops, a ritual, and a performance –  Workshop Schedule

Discount advance registration for Sacred Harvest Festival  ends Thursday Aug 1st,  Gate Registration is also available at event.

Nels Linde is a Council Member of Harmony Tribe which sponsors Sacred Harvest Festival.

Kenny Klein returns to Minnesota – Interview

Kenny Klein is  an author, musician, and an elder and a High Priest in the Blue Star tradition of Wicca.  He will be appearing Aug. 2-4th at Eye of Horus, and at Sacred Harvest Festival Aug 5-11th. I spoke to him by phone from Brushwood in New York state.

You are touring now, but how long have you been a New Orleans Resident?
Kenny :   Before Katrina I would winter there every year, as a lot of musicians do in December- Feb, and then go out on tour. When Katrina hit I was in California. About four years ago I felt the call to go back, and have been there ever since. This is the first time, since 2010 that I actually have a leased apartment in New Orleans! I usually leave in May and don’t return until September. This year I toured in April and May, Came back for an appearance at the “Gryphon’s Nest” a Pagan camp ground outside of New Orleans. Fishbird played there in June, then flew up to a pagan festival outside Wasilla , Alaska, where Sarah Palin is from.  I came back to new Orleans, and then took off for New york in July and will be on tour until September.

You are into your second week at Brushwood?
Kenny : Yes, arrived a week ago today. I come to Brushwood every year as both a presenter and a performer.  Each year i offer about six workshops and a couple concerts. This year we did the kickstarter campaign in order to bring the full band, Fishbird  along to here.  This is the first year we have the full band up here. We are doing something most Pagans have never seen me do. Solo I play acoustic guitar and fiddle and sing. In this band I play electric jam dark Celtic rock .I do this down in New Orleans and now with this live recording Pagans will be able to listen to it wherever they are.

Is this what you enjoy playing?
Kenny : I love it, I have a sensational band. The bass player in the New Orleans band didn’t want to come on the trip, so at first I was bummed, but my life long friend Carl Smith, who used to play bass with “Kenny and Tzipora” back in the eighties  was able to come up from Tennessee and play.  We have our drummer and Rachel Maxann my singer from New Orleans are both up here and we doing some awesome shows here. We have complete one of our main stage shows here and will be doing another one  Thursday. There is a small cafe at Brushwood and we have an independent contract to play at their cafe every day.  People are getting a short mini concert each day, and then the two main stage concerts.

How is the recording going?
Kenny : My newest CD, which I should have at Sacred Harvest Festival, is my concert from last year here, recorded live from the stage. That gave me the confidence to bring Fishbird up here to record for a CD.  Except for the “Griffin’s Nest” a Pagan camp ground performance this spring, this is the first time ever that Fishbird has performed for a Pagan audience.

Then you are leaving the end of the week and headed to Minnesota?
Kenny : That’s right, I have three days of performance and workshops at Eye of Horus (event info at bottom), and then right after the weekend I travel down to Sacred Harvest Festival for the week Aug 5-11th.  There I’ll be offering five workshops and a concert on Friday Night.  At my last appearance ar SHF I connected with some local musicians at the festival, and hope to again.

Tell me about your new book .

Lauren Devoe, my girlfriend, and I just finished a new book for Llewellyn. It is a follow up to Fairy Tale Rituals, called Fairy Tale Magic. The previous book looked at Grimm’s fairy tales and elements that could be culled from them and used to create ritual. This book is looking at non-Grimm fairy tales .  We explore Russian tales like Baba Yaga, Briton  and English tales, like Jack in the Beanstalk and Goldilocks.  We look at the elements of magical theory that are contained in these tales. We touch on Qabala and Tora Magic .  We explore Wicca, Pagan, and Ceremonial magic and how the elements of all these different magical forms can be found in these fairy tales. Lauren, who is an academic librarian at Tulane University did a lot of the research through the university to contribute information and obscure tales that we may not have otherwise found. It will be out next spring  from Llewellyn.

Kenny Klein and Lauren Devoe

Kenny Klein and Lauren Devoe

Do you still practice Blue Star Wicca?
Yes, Iron and Cypress, is our coven in New Orleans. We just elevated to neophyte two students into our coven. This took place, here at Brushwood.  I will also be guest priesting an open Blue Star ritual hosted by Hearth Stone coven of Minneapolis on Wednesday night at Sacred Harvest Festival.

Kenny Klein at Eye of Horus:
Friday August 2nd at 7:30 – Kenny Klein, Live in Concert Tickets $17

Saturday August 3rd
2-3:30pm – Book Signing/Meet & Greet Free Event
4-5:30pm – Grimms Fairy Tales: What Your Mother Didn’t Tell You (mature content) Class $20
6-7:30pm – Lost Secrets of Wicca with Kenny Klein – Class $20

Sunday August 4th 2-5pm: Mojo and Magic in Blues & New Orleans Music – combined double-workshop – Just $30

Kenny Klein at Sacred Harvest Festival Aug. 5-11th  – Workshop Schedule

Nels Linde is a Council Member of Harmony Tribe which sponsors Sacred Harvest Festival, and an initiate of the Blue Star Tradition.

Janet Farrar and Gavin Bone – Interview Part 3 The Future

Part two of this interview series with Janet Farrar and Gavin Bone ,  guests at Heartland Spirit Festival , this continues from the second portion of our interview. This section of the interview focuses on life in Ireland and a look into where deity work is moving Neo-Paganism in the future.

 

Janet and Gavin

Janet and Gavin

Nels (N) : What happens when Pagan culture get truly in touch with their deities?

Janet (J) : This is the manifestation in Ireland, which is truly wonderful the resurgence of many of the old faith festivals. I am one of only five legal pagans in all of Ireland allowed to legally marry people. A legal solemnizer. I am on the health board as a hospital visitor. Ireland is a tiny island, but this is a major break through. Around 1982 Stewart  and I won the first witchcraft case in Ireland and changed the law which had made witchcraft illegal. It went to the high court in Dublin, and was given compensation because when “Eight Sabbats’ (A Witches Bible) came out a journalist called it devil worshiping, porn blasphemy. We won the entire case and were taken out be all the high court judges for a champagne reception.

Gavin (G): This really explains what has been going on in Ireland at the moment. One of the effects of working the way we have is that now the deities don’t care whether you are Pagan or not. They want to come through, they want to speak, and they want the connection to develop. This happened in Ireland because as the Catholic church began to lose control from the early 2000’s the people of Ireland still wanted that connection to their spirituality.  Initially they sought it through the Catholic church, but now  we now find ourselves involved in ceremonies with the general public, particularly one at Samhain every year in County Meath at the Hill of Ward, also known as Tlachta.

J:  Tlachta is the only witch goddess in the whole of Ireland that the church fathers, the monks, tried to write out of the history. But they ultimately failed.

Hill of Tlachta

G: Brid is not technically a witchcraft goddess, although some people say she is. Tlachta is the only goddess where the word witchcraft is actually associated with her. Every year there is a procession up the hill and the witches group, along with the Druids, are the ones that lead it.  When we get to the top we tell the old story  of her, and the traditional Samhain fire is lit. The majority of the people behind are not Pagan. They are good Catholics who are probably off to church on Sunday.

J: Half way up the hill is the well of Tlachta. We have a woman cloaked doing trance work and beside her we have a Knight in full armor, so if anyone hassles her, he is there.  All the witches and Druids pass with their flaming torches and behind them come all the villagers singing, “Tlachta Lady, goddess fair, light your night on moonlit air…..” . They sing a chant to this goddess as we light our fires. These Catholics are singing to a Pagan goddess. When they have all passed the parents bring their children to the lady of the well, Tlachta herself, to prophesize for them. To put her hands on them, and bless them.

Video from Tlachta Samhain Ritual

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Janet Farrar and Gavin Bone – Interview Part 2 Deity and Trance

Part two of this interview series with Janet Farrar and Gavin Bone ,  guests at Heartland Spirit Festival , this continues from the first portion of our interview. This section of the interview focuses on the current practice of  Janet Farrar and Gavin Bone, what they have experienced with deity work and integrated.

Janet Farrar and Gavin Bone

Nels (N) :Is it easier to speak to the deities now?

Gavin (G) : Something interesting is going on, as Pagans we have been waking the gods since the 1950’s. Voudon and the Caribbean traditions has a few hundred years on us! When you go to a Voudon Bembe, with its ecstatic drumming and dancing,  they come through really strong, riding (possessing) the participants. We are now reaching the point where this beginning to happen now in modern neo-paganism, even though it has only been fifty years.  This is because we have been waking the gods up. We have noticed something interesting as we have done the work. We are forming a Neo-Pagan pantheon. We only have a finite amount of energy to give the gods as spirits as they wake up.  You see the same gods and goddess coming up all the time in our community. Hecate, Brid, Isis, Morrigan, Freja, Odin, Diana etc.  Because there is only this finite amount of energy for them, they are congregating and forming a  new pantheon.  All awakened gods from different cultures forming a pantheon, and redefining roles.

Hecate Photo: wikimedia

Over the years as we done trance possession we have kept having Hecate appearing, even though neither of us have felt inclined to work with her,  but now it seems we haven’t got much choice! As we did the trance prophesy she started coming through at almost every event and  public workshop. We had strange occurrences.  On one occasion we started  conversation wither her in Connecticut through a priestess in trance, and she finished with us, unprompted with a priestess in California.  Now it has reached a point where when she comes through somebody, I will know if it is Hecate, because she will burst into fits of laughter when she knows it is me!

Janet (J) :  The last time it happened in America she turned around and said to Gavin, “Oh God, it’s not you again”.

G:  She has been developing and evolving and  has taken on the role of teaching trance with in this new ‘pantheon’.

J:  She is taking on the role of a psychopomp for trance, quite fascinating.

G:  This does  mimic what happens in voudon. She is taking the same role as Elegba/Ellegua.  You also have other deities fulfilling other roles as well. That is what is starting to occur, as simple as that. You see it where Brid is taking over the healing role. Brid is forming into three Brid’s, the triple goddess Brid consisting of the original Celtic Brid, Saint Bridget, and Maman Bridget from Voudon. Every priestess we know who works with Brid has found that is what is occurring. Suddenly they get this dark aspect of Brid, this dark earth goddess, the Maman Bridget from Haiti. It is getting drawn to them to balance the other two aspects.

J:  There is the Brid of fire, who says right, you are going to be my priestess but I am going to put you through hell, put you on my anvil and beat the shit out of you! She is an initiatory type of goddess.

G:  The Morrigan is a protective type of goddess, the Macha.  We are also seeing that Freya, who is taking on a different type of role. She is a goddess of journeying.  Which is how this all started for us, by working Freya.

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