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  • Selena Fox – Paganicon Guest Interview

    Selena Fox

    Selena Fox is a well-known priestess, environmentalist, religious freedom activist, writer, teacher, and psychotherapist. Also known as Rev. Selena Fox, she is senior minister of Circle Sanctuary in Wisconsin, which has been serving Nature religion practitioners worldwide since 1974.

    Selena will appear at Paganicon March 13-15, 2015 and offer several workshops, participate in panel discussions, lead a ritual, and facilitating the Military Pagan Honoring Ceremony . Tickets are available at the door for the day, weekend, or for special events. Selena responded to written questions:

    Nels: Tell me about your Cauldron Magic workshop?

    Selena: I have been studying folklore and folkways for many years, and old folk traditions are an essential part of the Circle Craft tradition that I practice. In my Cauldron Magic workshop, I will share some of the ways that cauldrons have been used in ceremonies as well as in daily life through time and across a variety of cultures and spiritual traditions. I also will share some of my own experiences working with different types of cauldrons as well as ways that Pagans today can use them as ceremonial tools and symbols for celebrating the seasons, home blessings, and other sacred work. In addition, I plan to facilitate some Cauldron meditations and experiences during the workshop.

    What will you include in the Pagan Death Passages workshop?

    Selena: Creating and guiding Life Passage Rituals is an important part of my services to Pagan community and has been since I began priestess work more than forty years ago. In addition to creating and performing weddings, baby blessings, coming of age into adulthood rites, cronings and sagings, I also do several types of end-of-life passage rituals. The Pagan Death Passages workshop emerged out of my experiences working with individuals and their family and friends prior to, during, and after death. I realized that there was a need to do end-of-life preparation education as well as facilitate crossing overs, funerals, and burials when the need arises.

    In my Pagan Death Passages workshop, I share ideas and information about ways to support end of life planning and processes for family and friends, and I also express the importance of considering your own needs and making your own end of life plans. This workshop also is designed to help facilitate community discussions and considerations about dying and death, topics that some are reluctant to talk about with others.

    In the workshop I not only present some information about types of end-of-life ceremonies but also give practical tips on end-of-life planning. We will explore ways to support a loved one at the time of being diagnosed with a life-threatening illness, and discuss approaches to maximizing quality of life in the time remaining. We will talk about working with life review during the last part of life. We will examine crossing over support, including the use of music, touch, presence, readings, and ritual. We will also look at post-death rites, including customizing wakes, funerals, memorials, and celebrations of life. In addition, I will be talking about natural burial as a death passage option.

    Part of my work with Circle Sanctuary includes being the director of Circle Cemetery, a national Pagan cemetery and one of the first Green cemeteries in the USA. It is located at our headquarters near Barneveld, Wisconsin and this year we will be celebrating our cemetery’s 20th anniversary. We inter cremains at our cemetery and also do full body natural burials. Natural burial, also known as Green burial, is an ancient Pagan practice – it is placing an un-embalmed body in the earth in a shroud or other biodegradable container. In the workshop, I will describe some of our work in doing burial rituals at our cemetery, as well as things to consider in selecting a cemetery as part of end-of-life planning.

    Is the Goddess Brigid one of your personal patrons?

    Selena:  Yes, and I’ve been working with Brigid for most of my priestess life. I keep a Brigid Shrine at my home and also am among the caretakers of Brigid’s Spring, an outdoor healing place dedicated to Her at Circle Sanctuary Nature Preserve.

    I had already been working with Brigid for many years, when I discovered while reading a book on Scottish history that I am descended from some who were caretakers of a Brigid site in Fife, Scotland.

    In addition to doing personal Brigid work, I also facilitate Brigid rites for small and large groups at various conferences and festivals across North America. The Brigid Healing Ritual which I will be facilitating at Paganicon has evolved over time as my own work with Brigid has deepened.

    In this rite as well as in my own person work, I work with Brigid in a variety of forms. In addition to honoring Brigid as the Triple Goddess of Inspiration, Healing, and the Forge, I also work with Her as a Sun Goddess, and a Goddess connected with the Land, Oak, Swan, Flames, and Waters of holy wells and sacred springs. Included in the Brigid Healing Ritual are invocations and chants drawing on these different facets of Brigid. We will be doing different types of healing during the ceremony — healing for ourselves, healing for each other, and healing for loved ones at a distance. And we also will be doing a community working for the well-being of Planet Earth and will energize Brigid crosses, charms, necklaces, and other items participants place on our central altar during the rite. I am looking forward to bringing the Brigid Healing Rite to Paganicon.

    Continue reading

    Paganicon Guest Lupa Greenwolf – Interview

    Lupa Greenwolf

    Lupa is a pagan author, artist, eco-psychologist and amateur naturalist living in Portland, OR. She has spent her life being utterly captivated by the natural world around her, a fascination that led her to earth-based spiritual paths. She is the author of several books on nature spirituality, including “New Paths to Animal Totems: Three Alternative Approaches to Creating Your Own Totemism” (Llewellyn, 2012) and “Plant and Fungus Totems: Connecting With Spirits of Field, Forest and Garden” (Llewellyn 2014).

    Paganicon 5 will be Friday, March 13, – Sunday, March 15, 2015  and registration is still available at the door.

    I interviewed Lupa by phone recently.

     

    Nels: Is this the first time you’ve come to the Midwest ?

    Lupa: I am very excited to attend! I grew up in the Midwest, but this is only my second time visiting Minneapolis.

    Where did you grow up?

    Lupa:  I grew up in rural Missouri. Then I lived for two years in Pittsburgh, Pennsylvania which some people consider the Eastern edges of the Midwest.

    What is bio-regional totemism, the subject of one of your workshops?

    Lupa:  A bio-region is a particular area of land that has the same basic types of animals, plants, and fungi. The same geology and the same climate. For example I live in the watershed of the Willamette River and for the most part the living beings that you find here, the types of geological formation are similar throughout the area. This is one particular bio-region I spend time in. Bio-regional totemism is a way to connect with the land that you live on. Similar to the totems of the beings that also live there. Using the bio-region as a way defining that space of land.

    Will an animal present as a different kind of a totem in a different bio-region?

    Lupa:   No, not in my experience. I have worked with animals indifferent bio-regions, for example a red tailed hawk I’ve worked with both in the Midwest and out here in the Pacific Northwest. It is still a red tailed hawk in both locations. The setting that we meet in during my meditation is a little different. It is still the same being, it just may have different things to say about a particular piece of land as I’m living on it.

    Are you using your own personal gnosis and meditation in your spirit work, or where does this information come from?

    Lupa:  I am self taught as far are my knowledge and work goes. I am a white girl from the Midwest. While I have known a few folks who practice indigenous paths I am not a part of those cultures and also not part of the cultures of my ancestors, Czech and German and so forth. I grew up primarily here in the US and that is the cultural background that I came from. I grew up in a Catholic household and didn’t have an animistic tradition to are draw on already, I had to create one from scratch based on my own experiences and trading notes with other practitioners .

    Continue reading

    Through Time – A History of Belly Dance in America – Saturday Jan 24th

    Belly dance is an empowering daBDTimence form that has been embraced by the Pagan community for many years.  Women of all ages and backgrounds join together in classes and troupes to explore  the range of styles and expression drawn from diverse cultures around the world. This Saturday the Twin Cities gets a chance to see it all on one stage!  Originally produced in 2006, “Through Time – A History of Belly Dance in America” is returning bigger and better!

    Saturday Jan 24th

    Four Seasons Dance Studio  1637 Hennepin Avenue, Minneapolis, MN 55403
    DOORS OPEN AT 6:30 – SHOW STARTS AT 7:00  Purchase Advance Tickets

    BDTR1

    Alana Mari


    The key purpose of this show is to educate how belly dance was introduced to the American public, how it was perceived and evolved to the variety we have today. Starting with Little Egypt at the World’s Fair in 1893, we travel through time to present day; watching as this art form which was introduced as exotic and mystical grew to become about empowerment, creativity and strength.

    Amina Beres

    Amina Beres

     

     

     


    In this show, a variety of belly dance artists from the local dance community will be bringing their interpretation of periods of time and where belly dance was or was perceived by audiences; from ‘I Dream of Jeannie’ lounges to Gothic Fusion Belly Dance; from the Silent Screen with Rudolph Valentino to the creation of American Tribal Style within the streets of San Francisco.

    The Bourgeois Bohemians

    The Bourgeois Bohemians


    And to add to the madness, this show will be a multi-media production. Music, video, dance and a presentation on Little Egypt are all in store for this evening.

     

    Come join us on this journey. Learn, explore and enjoy.

    Visit Through Time  website for more information,  full cast  list and performer websites.

    Kamala Chaand Dance Company

    Kamala Chaand Dance Company


    Lesley Inman  (Producer, Show Director, Performer)

    Lesley Inman
    (Producer, Show Director, Performer)

    BDT6

     

     

    Eye of Horus Metaphysical Store Faced with Relocating

    Thraicie and Jane

    Thraicie and Jane

    You would never guess from the business-as-usual appearance at the Eye of Horus Metaphysical Store that the owners are faced with the sudden challenge of relocating it by the end of this month and finding the funds to do so. As I enter “the Eye”, I am still greeted by the customers browsing, buying and getting their questions answered by upbeat staff. Stones of all types glisten beside cards stating their magical properties. A client seeking spiritual guidance exits into a room with one of the divinational readers. In the background a CD plays musical selections from an upcoming Wendy Rule concert being held there this Sunday. Thraicie Hawkner, her long silver hair flowing down her shoulders, and Jane Hawkner, with a short, cute pixie cut, approach me from across the busy room with undaunted looks on their faces.

    Their confident appearance shouldn’t have surprised me. They have been running The Eye of Horus since October 31st 2003 in a previous location just a few blocks from their current space and even earlier as an internet business with booths at community gatherings. Meeting the challenges of entrepreneurship over the years has made them seasoned businesswomen with a fair amount of mettle. But, even so, finding out the first of July that they would need to find a new space and move the store into it by the end of July, would have been enough to make even experienced business owners sweat.

    “During this crunch time it has been particularly motivating to remember how many times people have come in and said things like, “I did not know there was a place like this, I feel like I have come home” or “Your store is the reason I was able to reconnect to my faith”, said Jane. It keeps us tuned into the reason we are here and to what the Eye of Horus means to so many people. Knowing that we have been of meaningful service to the community has been fuel for problem solving through this challenge.”

    “We have found a perfect size space for us that we can move into,” Thraicie said. She explained that the challenge has been raising the funds for the move. “We just found out July 1st that we would need to move, so we had no money to secure the new location, or any money to cover the closing of the store during move time, a rental truck or other moving expenses. So we developed the current fundraiser.”

    Eye of Horus has a GoFundMe website  that enables people to either purchase “perks” or make a straight donation. The perks are in the form of discounted services such as divinatory readings, therapeutic massage, discounted gift certificates, or a book shelf in their name.  In this way, people can choose to donate or purchase “perks” at attractively discounted prices.

    Continue reading

    Ivo Dominguez Jr at Paganicon – Interview

    Ivo Dominguez Jr

    Ivo Dominguez, Jr. is a visionary and has been active in Wicca and the Pagan community since 1978 and teaching since 1982.  Ivo was a founding member of The Assembly of the Sacred Wheel, a Wiccan Tradition.  He has taught at many gatherings, conferences, and venues across the United States. Ivo is also a professional astrologer, a well known as a ritualist, and author of many chants and songs. Ivo lives in Delaware, where he one of the owners of Bell, Book, & Candle, Delaware’s largest metaphysical shop. One of his passions has been to be one of the driving forces behind the New Alexandria Library project, which is rapidly approaching completion!

    Ivo is a special presenter at Paganicon this weekend. Registration is available at the door, per event, per day, or for the Saturday ball. He was national guest at Minnesota’s  Sacred Harvest Festival in 2004 where he made his initial connections with this area.

    How is the Alexandrian Library project proceeding?
    Yes, it is being built. The weather has not been kind to us. The building is progressing as the fund raising is progressing. We have been clear all along that we want this built without a mortgage, with no debt on the project. If all goes well, and the weather holds, we will be ready to start painting and preparing the interior at the end of June and later this summer moving books into it. It is progressing slower than we would like, but in the long run for the sake of survivability, not having a monthly payment is primary.

    In 1990 four of us bought the land and moved down there. The land is paid off. Groups take a long time to mature. We have deeded over the thirty acres that the library occupies. We are are progressively deeding over the balance of the property through life estates, so once we are all gone the entire property will remain with the library. Currently there are four houses on the land and the organization will inherit them all piecemeal over the course of decades. Once we owners are all passed there will be no real estate tax as Delaware doesn’t collect tax on 501c3 property. We as a group have several decades to ensure that there is a viable group within the non profit to keep and maintain this property.

    Ivo Dominguez Jr with Macha Nightmare in 2004 at Sacred Harvest Festival

    You were a Sacred Harvest Festival back in 2004, it will be great to have you back in our area!
    I am looking forward to attending Paganicon. I start the morning with a panel discussion and then my voice workshop. In the afternoon I have the book signing, a ritual, and then another workshop.

    What is the panel discussion about?
    The early morning panel is called surviving in dispersion. This is I think still being defined. Part of it is how to survive as a Pagan in a non-pagan world, but part of it is also how to survive and thrive if you are say, in a rural area, or an area with a small Pagan community, or one with few resources. I am guessing we’ll also cover what it means to be the “other” within the broader community.

    Do you experience community as an “other”?
    No not at all. I think I was considered because being from Delaware, it is not considered a Pagan hot spot like Paganistan! What I hope to bring is some insight into how you create your own community, your own enclave. How to interact and engage with the local community that may or may not be Pagan. I have been active in my community for a very long time as one of the owners of the local metaphysical shop. I help organize the local Pride event and have contact with the local political organizations. I will bring the perspective that even if you are a very small percentage you can have everything you need if you engage with the larger community. The role of public Pagans in communities where there are not many with a public face may come up. Having a local shop if the police ever find something strange they always come to me to ask,  ”Do you know any thing about this?”. Where this discussion goes will depend on what questions get posed to the panelists. I would like to focus on how the survive and thrive in a small community.

    What is the magical voice workshop about?
    This will be a lot of work on how to use chanting, spoken runes,primal sounds, and why the voice is so powerful. Before we jump in we will talk about magical hearing,learning to listen magically. The only way to join your voice with other people is if you are really listening. I am looking forward to this workshop, I really enjoy it, People leave very energized from this workshop.

    The Four Minds workshop is a ritual?
    Yes, “The Four Minds Ritual” is a sort of meditative ritual. This will not require a whole lot of mobility. In the beginning we will walk the to set boundaries for the space doing some free form toning. For the bulk of the time once they have in mind what they wish to explore or contemplate we will be seated or on the floor with eyes shut and traveling inwards. The ritual is a guided journey through the four elements and then back to spirit with the intention to explore a particular aspect or seek guidance on a particular thing for each person. It is a ritual, mainly internal but with some external portions of it.

    What is the Karma workshop about?
    The Structure of Karma is about exploring the mechanics of, not so much what karma is, but what karma does. Which things cause it to work or not work. The celestial mechanics of karma, lifting the hood to check how the laws of hermetics work to create cause and effect, causality and synchronicity. It sounds strange but it is an exploration of the engine driving karma, as opposed to whether something is good, bad, or indifferent or how do I escape or alleviate karma, or is it punishment or fate? We will explore individual and collective karma. What we do creates ripples out there. It doesn’t matter whether you believe in karma or not, this is cause and effect and change. If you make choices, if you have emotions or thoughts, you are putting into play a whole chain of cause and effect on the linear side. You are adding a whole web of synchronicity on the non-linear side that will pop up into the world as things that manifest. Karma is just a catchall word for the things we do that drives the engine of manifestation.

    Construction of the New Alexandrian Library

    What is your vision of what we need to accomplish in the next twenty years?
    What matters to me is that we leave behind a viable culture and a real infrastructure as Pagans. Infrastructure  is the single most important next step. Things that are tangible and real in the physical world are infrastructure. It could be a building, be land, be a library or a shrine or temple. A large event like Pantheacon is infrastructure too. It takes a large number of individuals, money, time, and energy to create this Brigadoon type of event that lasts only a few days. Three thousand people intersect in a great Pagan crossroads, like a Pagan United Nations session. This is also fragile, it takes very little to destroy an event. It take a lot to maintain, and requires cohesiveness of a group to continue.

    How we hope to maintain things like this is by this example. We put on an event every few years called Between the Worlds. In 2015 it conflicts with a smaller annual event in the Mid-Atlantic area the Sacred Space conference. We could just go forth and divide the teachers and participants between the two events. The smaller group would probably suffer financially and possibly become less viable. Our two boards met and decided to hold a joint conference. Both events will take place in the same hotel and admission to one gets you admission to the other. We have worked it out to be fair and keep both events, the infrastructure viable.  Cooperation is possible, it is not easy. It is messy, but it can be done.

    Ivo speaking at library ground breaking.

    Paganicon Begins THIS FRIDAY   March 14th  7pm – Sunday March 16th 4pm at the Doubletree Park Place St. Louis Park , MN. Ivo Dominguez will be presenting at four events Saturday, plus a book signing.  Registration is available at the door, per event, per day, or for the Saturday ball.

    Nels Linde

    Teo Bishop appearance at Sacred Harvest Festival – Interview

    Teo Bishop

    Teo Bishop

    Teo Bishop is pretty unique in the Pagan world. If you know of him, you probably know more about his spiritual ponderings and quest, than about who he is!  He is a  blogger,  bard, and  contemplative Pagan, the  author of Bishop In The Grove, a  regular contributor to  HuffPost Religion, and Columnist at The Wild Hunt. He is also one excellent musician and song writer.

    Read a bit of Teo’s  history here

    I talked by phone to Teo Bishop in Los Angeles about his upcoming appearance beginning next Monday at Sacred Harvest Festival, Aug 5-11th.

    Have you ever been to Minnesota before?
    Teo; I have been to the Twin Cities once before on a promotional tour. I think the theater was in St. Paul. This is the first time I’ve been during the “warm” part of the year!

    And you are out in Los  Angeles now?
    Teo; Yes. Most of the time when not at home in Colorado I am doing some kind of work in the music industry. Music is my primary work. Mainly I write songs for artists. You could think of it as applying my bardic skills in the pop music world.

    In addition to songwriting, do you plan on resuming a musical performance career?
    Teo; I’m not really focused on performance right now. I spent the majority of time between 2008 and 2011 working to cultivate a career as a performer and recording artist. My focus right now is on songwriting, and more behind the scenes work.

    From Letterman appearance as Matt Morris

    It is an exciting time, though, because the last few weeks have been exceptionally creative. In the past eight days I have written eight new songs. It’s a vibrant time, and I’m excited to take that creativity and bring it to Sacred Harvest Festival!

    You recently announce leaving the Ár nDraíocht Féin: A Druid Fellowship (ADF).  Was that difficult? Are you still a Druid?

    Teo; I still very much feel like I am on a Druidic path. I don’t think you can ever truly disassociate yourself from traditions you have been a part of, and ADF has been very influential on me. So leaving ADF was a difficult decision to make, yes. But I decided to leave because it just felt, in all of my parts, like the right thing for me to do at this point in my own spiritual evolution.

    My leaving made a splash only because I am fairly public with aspects of my spirituality and my process. I’ve also been in a role of leadership within ADF, and I feel very happy about how things have been progressing in my absence, particularly with the Solitary Druid Fellowship.

    I think it’s important to understand that this is not some big dramatic event, but that my own process has led me to leave. I’m not on a crusade against ADF. There are many wonderful people in ADF who have genuinely been kind to me — both before and after this decision.

    Are you headed down a different path now?
    Teo:   I’m not sure exactly what path I’m on at the moment. I feel like my “ordinary”, non-religious life has a great number of spiritual teachings to offer me. I am still tremendously influenced by the teachings of ADF Druidry, in the same way that before that, before being a Pagan, I was influenced by Episcopalian Christianity. It is all part of a continuum for me. The creative work I am doing — the work that happens apart from any one spiritual path or tradition — feels like the best thing to focus on at this point.

    Teo Bishop

    Teo Bishop

    This is your first appearance as a guest at a Pagan event, what are you looking forward to?
    Teo:  I’m looking forward to meeting so many people that I’ve only engaged with online. I think it’s important for internet-entered Pagans to get out there, in the dirt, and get to know each other. I’m looking forward to that. I’m also looking forward to offering up my experiences and insights into the creative process to the community. I’d like to find ways to conceive of our creativity and our spirituality as synonymous aspects of our lives.

    You are offering both a kids workshop and a ritual, is this new for you?
    Teo: Actually, I have done some work with kids outside of a festival context. My mom is a teacher and I have worked with kids to help them develop their creativity and use their own creative voice. This is comfortable territory for me, and I think the young people at the festival will have a lot to offer.

    I’m also excited about leading ritual. I’ll be incorporating some aspects of ADF Druidry, as well as seeking to use movement and voice as a catalyst within the ritual to enliven us and revitalize our own sense of creativity. We’ll make a good noise!!

    I think the festival will be a really great time. Everyone involved has been extremely kind, generous and hospitable with me, and I’m looking forward to giving the “Tribe” a big old hug when I get out there!

    Teo Bishop  is a featured National Guest at Sacred Harvest Festival   located at Harmony Park in  S. Minnesota near Albert Lea , Aug. 5-11th.  Teo is offering several workshops, a ritual, and a performance –  Workshop Schedule

    Discount advance registration for Sacred Harvest Festival  ends Thursday Aug 1st,  Gate Registration is also available at event.

    Nels Linde is a Council Member of Harmony Tribe which sponsors Sacred Harvest Festival.

    Kenny Klein returns to Minnesota – Interview

    Kenny Klein is  an author, musician, and an elder and a High Priest in the Blue Star tradition of Wicca.  He will be appearing Aug. 2-4th at Eye of Horus, and at Sacred Harvest Festival Aug 5-11th. I spoke to him by phone from Brushwood in New York state.

    You are touring now, but how long have you been a New Orleans Resident?
    Kenny :   Before Katrina I would winter there every year, as a lot of musicians do in December- Feb, and then go out on tour. When Katrina hit I was in California. About four years ago I felt the call to go back, and have been there ever since. This is the first time, since 2010 that I actually have a leased apartment in New Orleans! I usually leave in May and don’t return until September. This year I toured in April and May, Came back for an appearance at the “Gryphon’s Nest” a Pagan camp ground outside of New Orleans. Fishbird played there in June, then flew up to a pagan festival outside Wasilla , Alaska, where Sarah Palin is from.  I came back to new Orleans, and then took off for New york in July and will be on tour until September.

    You are into your second week at Brushwood?
    Kenny : Yes, arrived a week ago today. I come to Brushwood every year as both a presenter and a performer.  Each year i offer about six workshops and a couple concerts. This year we did the kickstarter campaign in order to bring the full band, Fishbird  along to here.  This is the first year we have the full band up here. We are doing something most Pagans have never seen me do. Solo I play acoustic guitar and fiddle and sing. In this band I play electric jam dark Celtic rock .I do this down in New Orleans and now with this live recording Pagans will be able to listen to it wherever they are.

    Is this what you enjoy playing?
    Kenny : I love it, I have a sensational band. The bass player in the New Orleans band didn’t want to come on the trip, so at first I was bummed, but my life long friend Carl Smith, who used to play bass with “Kenny and Tzipora” back in the eighties  was able to come up from Tennessee and play.  We have our drummer and Rachel Maxann my singer from New Orleans are both up here and we doing some awesome shows here. We have complete one of our main stage shows here and will be doing another one  Thursday. There is a small cafe at Brushwood and we have an independent contract to play at their cafe every day.  People are getting a short mini concert each day, and then the two main stage concerts.

    How is the recording going?
    Kenny : My newest CD, which I should have at Sacred Harvest Festival, is my concert from last year here, recorded live from the stage. That gave me the confidence to bring Fishbird up here to record for a CD.  Except for the “Griffin’s Nest” a Pagan camp ground performance this spring, this is the first time ever that Fishbird has performed for a Pagan audience.

    Then you are leaving the end of the week and headed to Minnesota?
    Kenny : That’s right, I have three days of performance and workshops at Eye of Horus (event info at bottom), and then right after the weekend I travel down to Sacred Harvest Festival for the week Aug 5-11th.  There I’ll be offering five workshops and a concert on Friday Night.  At my last appearance ar SHF I connected with some local musicians at the festival, and hope to again.

    Tell me about your new book .

    Lauren Devoe, my girlfriend, and I just finished a new book for Llewellyn. It is a follow up to Fairy Tale Rituals, called Fairy Tale Magic. The previous book looked at Grimm’s fairy tales and elements that could be culled from them and used to create ritual. This book is looking at non-Grimm fairy tales .  We explore Russian tales like Baba Yaga, Briton  and English tales, like Jack in the Beanstalk and Goldilocks.  We look at the elements of magical theory that are contained in these tales. We touch on Qabala and Tora Magic .  We explore Wicca, Pagan, and Ceremonial magic and how the elements of all these different magical forms can be found in these fairy tales. Lauren, who is an academic librarian at Tulane University did a lot of the research through the university to contribute information and obscure tales that we may not have otherwise found. It will be out next spring  from Llewellyn.

    Kenny Klein and Lauren Devoe

    Kenny Klein and Lauren Devoe

    Do you still practice Blue Star Wicca?
    Yes, Iron and Cypress, is our coven in New Orleans. We just elevated to neophyte two students into our coven. This took place, here at Brushwood.  I will also be guest priesting an open Blue Star ritual hosted by Hearth Stone coven of Minneapolis on Wednesday night at Sacred Harvest Festival.

    Kenny Klein at Eye of Horus:
    Friday August 2nd at 7:30 – Kenny Klein, Live in Concert Tickets $17

    Saturday August 3rd
    2-3:30pm – Book Signing/Meet & Greet Free Event
    4-5:30pm – Grimms Fairy Tales: What Your Mother Didn’t Tell You (mature content) Class $20
    6-7:30pm – Lost Secrets of Wicca with Kenny Klein – Class $20

    Sunday August 4th 2-5pm: Mojo and Magic in Blues & New Orleans Music – combined double-workshop – Just $30

    Kenny Klein at Sacred Harvest Festival Aug. 5-11th  – Workshop Schedule

    Nels Linde is a Council Member of Harmony Tribe which sponsors Sacred Harvest Festival, and an initiate of the Blue Star Tradition.

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